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Showing posts with label kykNET. Show all posts
Showing posts with label kykNET. Show all posts

Getroud Met Rugby Actor Guns Down His Lover

On Thursday, local actor Gregg Pettigrew, 51, allegedly shot and killed his 29-year-old lover in Kempton Park, Gauteng, before attempting to take his own life.

The shooting occurred in Pettigrew's home, a rental cottage in the area.

Police received an emergency call from the landlord and were on the scene shortly after. Norkem Park Police spokesperson Colonel Barbara-Anne Ferreira told sources they found a dead male on the scene.

"The other male was still in the bed, next to the male, and he had a firearm in his hand," she said. She said he was drowsy.

"We noticed that there were tablets. He drank an overdose of tablets."

Colonel Dimakatso Nevhuhulwi told sources earlier on Friday that the man was at the "local hospital under police guard".

Pettigrew played the character of Gé on the local soap, Getroud Met Rugby.

He's expected to appear in the Kempton Park Magistrate's Court on Monday, 17 April.

Ferreira said he'd be charged with murder and possession of an unlicenced firearm. She said the family of the deceased was traumatised.

Afrikaans Voice Actors For Jy Is My Seun

 

Donovan Pietersen as Murat
Reginald Hufkie as Hasan
Rina Nienaber as Melek
Susan Coetzer as Asiye Karasu
Eddie De Jager as Ali Kemal
Jakkie Groenewald as Osman
Lizelle Pike as Sule
Natasha Jacobs as Emine
Mari Molefe Van Heerden as Asye Sahin
Claudia Joens as Akca Yilmaz

Source: Insidus Plus

Afrikaans Voice Actors For Jy Is My Seun

Donovan Pietersen as Murat
Reginald Hufkie as Hasan
Rina Nienaber as Melek
Susan Coetzer as Asiye Karasu
Eddie De Jager as Ali Kemal
Jakkie Groenewald as Osman
Lizelle Pike as Sule
Natasha Jacobs as Emine
Mari Molefe Van Heerden as Asye Sahin
Claudia Joens as Akca Yilmaz

Afrikaans Voice Actors For Jy Is My Seun

Donovan Pietersen as Murat

Reginald Hufkie as Hasan

Rina Nienaber as Melek

Susan Coetzer as Asiye Karasu

Eddie De Jager as Ali Kemal

Jakkie Groenewald as Osman

Lizelle Pike as Sule

Natasha Jacobs as Emine

Mari Molefe Van Heerden as Asye Sahin

Claudia Joens as Akca Yilmaz


kykNET Vs. eExtra: MultiChoice's Purposed Attempt To Replicate Kuiertyd

MultiChoice and eMedia Investments have been on opposite sides for long time and the matter only worsened when the pay-tv operator opted to replicate the current offering seen with the red brand which led to the discontinuation of their 4 channels.


Now we look at what MultiChoice regards as the new eExtra.


kykNET serves as the Afrikaans division to M-Net's local endeavours offering content ranging from drama series, movies, lifestyle, reality shows and news something that's been lacking with SABC 2. Some notable titles include Tussen Ons, Suidooster and Binnelanders.



Honestly speaking, you can clearly see why MultiChoice would want to burden customers with something like kykNET I mean it has a lot of variety something which eExtra's Kuiertyd had but was later revamped to match that of Telemundo.


eExtra is very much regarded as general entertainment it doesn't have to be anything like HBO but anything that can offer a variety of flavours in one pot is cool by me. The channel features a range of telenovelas from Turkey, Korea and India including Elif and Twist Of Fate.


Let me say this one fact, if it wasn't for Kuiertyd I doubt a lot of consumers would take a lot of initiative to the Afrikaans movies and Die Kontrak. I'm not expecting them to get as much shows as most dubbed soaps but the impact does come with its own benefits.



It's not really about the language that got viewers glued to Doodsondes but the content in general. As it is, eExtra has a Turkish slot which falls out of Kuiertyd which is all the more proof that content drives in the ratings.


eExtra through Kuiertyd may lack a lot of things like reality shows, music and local dramas but you have to admit these Turkish shows is what gets anyone more viewers latched onto anything kykNET at this point.


Long Read: Lessons On Transition And Consistency From Turkey's George Clooney Aka Ozcan Deniz

Ozcan Deniz is born in Elmadag, which is a small province in the capital of Turkey - Ankara, has first showed up in screens and tabloids in early 90s as a teenager. Ankara is located at the heart of Anatolia and during the time the Arabesque (which is also a classical music genre) was massive in the region and had an influence in an entire generation and the country alike. The efforts from The Legendary Orhan Gencebay, The Emperor Ibrahim Tatlises and The Godfather Muslum Gurses has helped the music genre rise incredibly. There were people literally cutting their skin into pieces with razors during concerts, crying, screaming and all that good stuff. Not very much into dancing, except some funky gipsy-influenced songs of Ibrahim Tatlises.


Arabesque was a rather depressive, problematic and troublesome expression of music that described a nation which suffered 3 coupes by that time, experiencing economic difficulties, still paying the dues of a delayed catch-up of the industrial revolution's innovation. In fact, one can state that the problematic nature of Turkey in infrastructure, industrial, education and economic domains is caused by this which is still problematic to date. I mean, it is 2019 and Turkey still does not have a proper tax regulation to support tech companies or SMEs or NGOs - despite some efforts - and Turkish Lira has lost value significantly during the course of last several years. One can also state that this will provide the momentum of late catch-up culture of Turkey with The Internet Revolution (or Smart Phone revolution which I like to name it more like that but whatever) will also has consequences in the next 20 to 40 years considering the country has no proper environmental policy on top of all that previous stuff but let's leave that to a different article.


Ozcan Deniz was a youngster when he first came up, and due to the depressive nature of Arabesque music, performers and artists of the genre mostly (erm.. more like always) positioned themselves coming from 'really difficult times as a kid' and 'experienced every kind of drama in life'. It's not like I am unsymphatetic to any of the so called difficulties those individuals experienced, but obviously there were scams, flops, hypocrites and all kinds of applications you can think of when someone tries to get on to the fad train to gain fame and money. Like the start-up environment on our age today, instead people are starting companies with fancy one pagers for ICOs etc. nowadays - rather xtech then a depressive music style like arabesque or a Rap or R&B song.



Ozcan Deniz at his early days


Ozcan Deniz in his earlier days was a boy with huge afroish hair, rather 'natural' on his 'looks' despite some shiny accessories (probably gifted by their producers as arabesque come from Arabic in nature and I guess everyone knows the influence of Gold and its colour in the culture - does that come from Egypt originally?) claiming yet another pain story from his past with a powerful voice singing songs of love, agony, loneliness, solidarity, homesickness and basically any topic one can relate to arabesque.


As soon as he made to the stage, his transition started. There was stiff competition and most of the performers were positioning themselves as - sorry - losers, poor people who experienced unbearable miseries during their life and still maintained their faith in their beloved ones and The God, waiting for an update while singing. Crying on the stage while having booze and kebabs off the stage. They were the Drama Kings. Everything was bad and everything was like 'Oh God, what did I do to you, I am such a naive person and I sin not, yet you punish me with these experiences. Oh God I believe you so much and praying in you will definitely make things better in the next 50 years and worst case scenario I'll die and join you in heaven and that's when things will definitely be better. In Islam some claim that 40 hot chicks will welcome you in Heaven - Aloha! - if you be a good boy. Like Smurfs, you get to see them if you be a good boy, but in a more adult way. Funny such application from The God is never mentioned for the ladies, but I guess the Islamic POV of woman is pretty obvious, so. Nothing to worry about that, right?


I love you so much you make me dizzy, my white butterfly - Album by a rather more evolved Ozcan Deniz in later years.


A later Ozcan Deniz, on the other hand, positioned himself as a powerful guy - modern, handsome, taking good care of himself. He basically let go of the fad and became a more up to date performer who repositioned somewhere between Pop and Arabesque (Pop was big at the time also which made peak in Late 90s and Early 00s in Turkey). That was the 'breakeven point' for Ozcan Deniz. He became an early influencer, yet I doubt he even himself knew it. That doesn't mean of course it was very witty and smart of him to spot such gap in the market. Just like the start-ups, in a sense, there is a condensed market and someone comes up doing something in a way not very thought of before and succeeded with strategy. One can easily spot the transformation he performed from his early times to later 90s, with a nice suit and piercing looks and more sexy title which translates "I am losing my head for you because I am so much in love with you, my white butterfly." - Eww for me but it was significantly different positioning when compared to another arabesque-something like 'I am not even a human being because you have no interest in me, baby'.


His new strategy and line captured interest of producers, when Ozcan Deniz started showing up in series and movies. He started showing up in series and TV movies in mid 90s but his rise to the scene definitely happened in Asmali Konak, in which Ozcan Deniz was a landlord in South-East part of Turkey (close to Syria border) which had very dense cultural implications - these individuals are called 'Aga' in Turkish and basically 'own' the people (villagers, employees, etc.) in the area they live in. So basically he was that rich, educated nice guy who still had ties to his heritage and past. He was experiencing difficulties and drama but he stood so solid and cool ultimately he solved all the problems and issues. He was the new Drama Lord with a Modern look and Positive attitude.



In later years, he played in more shows. Let's take a quick look at his characters:


- Asmali Konak - Seymen Karadag: Respected landlord of Asmali Konak.

- Kader - Ali Asyali: Wealthy businessman who runs construction business internationally.

- Haziran Gecesi - Baran Aydin: Wealthy businessman who gets education in Italy.

- Istanbullu Gelin - Faruk Boran: Wealthy businessman, CEO of a multinational company (so wealthy to buy an airlines company, I mean, that wealthy).


You can spot the pattern, I guess. After his transition, Ozcan Deniz consistently positioned himself helping his cause in TV, eventually giving up the music business and becoming a phenomenal TV character. His series are mostly in top 5 of the rating list, became one of the highest earning movie stars and a publicly acclaimed individual who is widely respected - nothing to do with Arabesque only folks now. He has a reach on multiple domains.


Looking good, eh?


Ozcan Deniz became a self-made George Clooney of Turkey and deserves credit for his consistency, strategic execution and how he managed his transition so glamourously. Most of the Arabesque performers of his generation, old ones, young ones, mid level ones no longer exist in the scene or reach a minor audience nowadays, while Ozcan Deniz shows up on TV in every couple of years with a new series where he makes tons of money.


In a nutshell, what he has done to achieve this is:


1. Enter the market with a widely accepted business plan in potential.

2. Spot a gap in the market.

3. Reposition and rebrand in accordance to the gap.

4. Set a north pole of his own.

5. Strategically execute each move consistently - small like a paparazzi stand up chit chat after leaving a restaurant or big like positioning his character in an entire TV production - based on the direction of his north pole - a cultural transition.



Ozcan Deniz and his achievements can give a great depth of insight - a refined lesson - on what you or your company is today, and what it can become over time. If the gap you are looking for has a strategic potential, go for it, plan for it and execute it relentlessly - regardless of what others say. I am pretty certain when Ozcan Deniz first started rebranding his more sophisticated outlook by giving up on his gold accessories, many people criticized and did not support him. These people are long gone, retired or bankrupted while Ozcan Deniz is adding up to his bank account with ads, shows, live concerts and productions.


On the other hand, this also means that if you have followed a fad and keep the same business strategy and culture, you will also become non-existent over time.


Ozcan Deniz on the other hand has been influencing generations of Turkey since 2002.


Ozcan Deniz's success shows us what it takes to rebrand and transition your culture, and what it can take from you not to rebrand and evolve your culture and application over time can result into - loss and misery - and a few days later you find yourself with a big bottle of Raki, listening to 'that' arabesque song.


Afrikaans Voice Overs For In Die Ysterhand Se Greep And Kruispad + An Update On Die Put Voice Overs For Season 2

In Die Ysterhand Se Greep


Gustav Gerdener as Yigit

Sesethu Ntombela as Nur

Shemane Harris as Iciai

Karin Retief as Aytul

Sanli Jooste as Nazaan

Denver Vraagom as Cahit

Claudia Jones as Yaren

Susan Coetzer as Hafize

Mia Anne Kennedy as Elmas



Kruispad


Anton Dekker as Suleyman

Adrian Styen as Mert

Rika Senne as Kudret

Sue Pyler as Nehir

Marlee Van Der Merwe as Ilay

Cindy Swanepoel as Eda


Die Put replacements


Wilhelm Van Der Walt as Selim

Jaundre Kim as Karaca


Credits: Die Afrikaans Voice Page


#BoycottKykNet: A Possible Outcome To The Demise Of eExtra

eMedia Investments got into a fist fight with MultiChoice when the pay-tv platform decided to scrap 4 of their e.tv channels before handling the matter with Competition Tribunal with outcomes to the agreement set to be unraveled.


As seen this past week, kykNET's duplicate channel kykNET & Kie will be adapting to the concept seen on eExtra's Kuiertyd block where they dub various telenovelas particularly Turkish in Afrikaans and giving the free-to-view brand some steady competition.


As mentioned in an early press release:


World-class TV has been dubbed into Afrikaans for decades. Over the past few years, South Africa's excellent reverberation skills have been used to bring Turkish telenovelas to local screens - in Afrikaans. The plot, action and romance in these telenovelas keep viewers glued.



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kykNET obviously got this entail from e.tv as series like Droomvelore can pull close to 2 million views while a show like 7de Laan has less than 900000 views monthly. Even eExtra despite not being as accessible as the main brand was fortunate enough to surpass 7de Laan.


As seen for the past 4 years, this content was exclusive to eExtra before being duplicated on more eMedia brands now DStv consumers will be getting more alternatives to but the decision to keep the e.tv channels is entirely up to DStv.



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Firstly, kykNET's attempt could be met with severe backlash not because of the cancellation of Tussen Ons or reduction in local content but MultiChoice's decision to not keep eExtra alongside the 3 other e.tv channels.


After that close scare in March, several consumers opted for Openview in case things don't work out between those parties and these shows are divided between platforms.



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eMedia was the main reason these stories went on to be as big as they are today. The only way most if not all consumers would view this content on DStv is to be assured that eExtra will remain unscathed throughout kykNET's introduction to the Turkish market.


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