Showing posts with label Hulu. Show all posts
Showing posts with label Hulu. Show all posts

The Rise And Fall Of Von Dutch: How The Brand Name Became A Curse?

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Hulu’s docuseries The Curse of Von Dutch: A Brand to Die For dives deep into the wild story behind the brand Von Dutch, beginning with its inception in the ‘90s and following through its chaotic and messy downward spiral. Popularized in the mid-2000s, the company was and is best known for its trucker hats, though celebrities including Paris Hilton, Jay-Z, and Britney Spears were spotted in everything from Von Dutch bags to T-shirts during its heyday. Von Dutch’s success was short-lived, though: infighting over the creative vision for the brand caused internal tension at the company, and public interest dropped off by the 2010s. Here’s what you need to know about the Y2K apparel line and its demise ahead of the Hulu show.

Who Is Von Dutch?
Unbeknownst to most of the celebrities and athletes who wore the brand, the Von Dutch name and concept came from the work of Kenneth “Kenny” Robert Howard — a mechanic and car detailer who, in the 1950s, started making art under the name “Von Dutch.” Howard’s work involved painting hot rods with pinstripes, flames, and eyeballs, helping to set the stage for the subcultural movement know as Kustom Kulture. (More recent discussions of Howard have highlighted his racist and Nazi-sympathizing beliefs.)

However, Howard died in 1992, meaning he wasn’t even alive when the Von Dutch brand took off.

Who Founded Von Dutch?
After Howard’s death, several people sought to capitalize on his name and legacy. “It was basically this grab by a lot of people that claim that they came up with the idea or went through the proper steps to own something that you never really should be able to own in the first place,” Andrew Renzi, the director of The Curse of Von Dutch, told the New York Times.

One of those people was Los Angeles art collector Ed Boswell, who’s often cited as the founder of Von Dutch and appears in the docuseries to assert his stake in its success. However, the company did not begin in earnest until 1996, when Howard’s daughter sold the rights to the Von Dutch name to Michael Cassel, a former drug dealer who’d just finished a four-year prison sentence, and his mentee Robert “Bobby” Vaughn. It’s generally Cassel and Vaughn who receive credit for taking Howard’s signature and making it the logo for the Von Dutch clothing line people know today.

Many of the clothing items that Von Dutch was known for were historically associated with a working class lifestyle. But the simple addition of the Von Dutch logo transformed the trucker hat from something worn by actual truck drivers into a trendy accessory sported by the rich and famous — a tension that the stars known for popularizing the brand were likely unaware of.

“There’s implicit power dynamics in the appropriation of garments like this because you can pick and choose what garments you’re wearing, but leave behind the labor and legacy of people who originally wore these garments in the context that they wore them in,” fashion historian Emma McClendon told the New York Times.

Why Is Von Dutch Bad?
Beyond Howard’s racist and anti-semitic roots, the Hulu series attributes Von Dutch’s decline to a number of factors, suggesting that the company may have been a money-laundering scheme and also hinting that the brand did business with someone connected to drug cartels.

But it’s certain that things really began to spin out of control in 2005, when Von Dutch co-founder Bobby Vaughn shot and killed a friend who he alleged attacked him with a broken bottle. He was arrested and charged with first-degree murder, and though he was acquitted after a jury ruled Rivas’ death was justifiable homicide, the controversy marked the beginning of the end for the brand.

Who Owns Von Dutch Now?
In 2000, Cassel and Vaughn were in need of funding and decided to bring in Danish entrepreneur Tonny Sorenson, who invested in the company and took over as CEO. Sorenson hired French fashion designer Christian Audigier to help expand the brand’s reach, but Cassel and Vaughn didn’t like Audigier’s direction and worried that they were “selling out.” By the time Audigier left Von Dutch in 2004, their signature trucker hats were reportedly generating tens of millions of dollars in revenue. However, the success of Von Dutch started to wane in the later aughts, and Sorenson sold the brand to French footwear company Groupe Royer in 2009.

What Happened To Von Dutch?
Though Von Dutch never officially stopped production, public interest in the brand dropped off for nearly a decade. In 2019, the company hired Ed Goldman as the acting general manager of Von Dutch North America in order to help revive the brand and reach a new generation. With ‘90s and 2000s nostalgia at an all-time high, it certainly seems like the ideal moment for Von Dutch to attempt a comeback — and it could be working. Celebrities including Megan Thee Stallion and Saweetie have been spotted wearing Von Dutch apparel, and the brand recently collaborated with Young Thug on a streetwear collection.

Credits: Justice Namaste, Bustle

Disney+ Loses Another 4 Million Subscribers

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Today, the Walt Disney Company has released its latest quarterly results for the fiscal second quarter 2023, and that means we get an updated look at how many subscribers Disney+, Hulu, and ESPN+ have.

This gives us a clear indication of how the apps are doing, especially with growth or decline in subscriber numbers. These subscriber numbers are based up to April 1st 2023.

Disney+ now has 157.8 million subscribers globally, down over 4 million subscribers from 161.8 million subscribers last quarter. All of these losses have come from subscribers leaving Disney+ Hotstar in India, following the loss of the cricket and, most recently, HBO content. In the US and Canada, they lost 300,000 subscribers, likely due to the recent price rise, less content and political issues. However, Disney+ subscribers in other areas, including Latin America, Europe and Asia, increased by 900,000.

While Hulu has added around 200,000 subscribers, ESPN+ has also added 400,000 subscribers in the US.

Disney CEO Bob Iger said in a statement:
“We’re pleased with our accomplishments this quarter, including the improved financial performance of our streaming business, which reflect the strategic changes we’ve been making throughout the company to realign Disney for sustained growth and success. From movies to television, to sports, news, and our theme parks, we continue to deliver for consumers, while establishing a more efficient, coordinated, and streamlined approach to our operations.”

More importantly, Disney’s streaming businesses have been able to increase its revenue by 12% to $5.5 billion and decrease its operating lost by half a billion dollars, which mainly came from better Disney+ and ESPN+ results, partially offset by lower operating income at Hulu.

The improvement at Disney+ was due to higher subscription revenue and a decrease in marketing costs, partially offset by higher programming and production costs and, to a lesser extent, increased technology costs. Higher subscription revenue was attributable to subscriber growth and increases in retail pricing, partially offset by an unfavorable foreign exchange impact. The increase in programming and production costs was due to more content provided on the service. Improved results at ESPN+ were attributable to growth in subscription revenue due to an increase in retail pricing and subscriber growth.

The decrease in operating income at Hulu was due to higher programming and production costs and lower advertising revenue, partially offset by subscription revenue growth and, to a lesser extent, lower marketing costs. The increase in programming and production costs was attributable to more content provided on the service and an increase in subscriber-based fees for programming the Live TV service, partially offset by a lower average cost mix of SVOD content. Higher subscriber-based fees for programming the Live TV service were due to rate increases and more subscribers. The decrease in advertising revenue resulted from lower impressions, partially offset by higher rates. Subscription revenue growth was due to increases in retail pricing and subscribers.

Disney has also provided a detailed breakdown per region: (Million)
Disney+ – Global – 157.8
Disney+ – Domestic (US & Canada) – 46.3
Disney+ – International excluding Disney+ Hotstar+ – 58.6
Disney+ Core – (excluding Hotstar) – 104.9
Disney+ Hotstar – 52.9
ESPN+ – Million Subscribers (US Only) – 25.3
Hulu – Million Subscribers (US Only) – 48.2

To compare, here are the subscription numbers (Millions) from November’s Investor Call:
Disney+ – Global – 161.8
Disney+ – Domestic (US & Canada) – 46.6
Disney+ – International excluding Disney+ Hotstar+ – 57.7
Disney+ Core – (excluding Hotstar) – 104.3
Disney+ Hotstar – 57.5
ESPN+ – Million Subscribers (US Only) – 24.9
Hulu – Million Subscribers (US Only) – 48.0

How Will Disney+ Adding Hulu Content Work?

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It’s finally happening. Disney CEO Bob Iger has announced plans to bring together its streaming services in the United States under one app, bringing Hulu, Disney+ and ESPN+ content all together to offer subscribers a better experience but it also comes with many business benefits.

The details of how all of this will work are still very much unknown. Bob Iger was very vague about how Hulu content would be added within Disney+, but there are some key things we know.

• It will be happening by the end of 2023
• Disney+, ESPN+ and Hulu will still be offered as separate services
• Hulu content will be available within Disney+
• More advertising is going to be offered
• Price rises for Disney+

However, we still know very little about how all of this will work out because the Hulu situation is very complicated. First off, Comcast still owns 33% of Hulu and due to a contract that was put into place when Disney purchased 20th Century Fox, which means Disney or Comcast can force Disney to buy out the 33% stake, for a minimum of around $9 billion. Bob Iger has said he has had meetings with Comcast over Hulu, but ultimately, the deal hasn’t been finalised, which is why the information has been so vague.

Disney is being open about its plans to consolidate its streaming services, similar to how HBO Max and Discovery+ will merge and how Paramount+ and Showtime have recently done. It’s setting the tone for the future, which Disney knows will be all about the streaming business as the linear business is declining yearly.

There are many reasons why the merger of Disney+, Hulu and ESPN+ will make sense. It will drastically reduce costs for the company. They can make less content and stretch it out easier, because when you look at all of the content being created across Disney’s studios, they release lots of shows and films. Publicity costs can be reduced, since they will be only promoting one app. Bob Iger even mentioned in the quarterly conference call that they’ve been releasing so much content on their streaming platforms, they’ve not been advertising them properly to get the most out of their investment. That’s in addition to savings that can be made on just running one platform, reduced overheads etc.

The merging of the platforms also will help reduce churn, as subscribers of the Disney Streaming Bundle have been generally less likely to unsubscribe, since there is usually something someone wants to watch on one of the three platforms.

ESPN+ is already available within the Hulu app, so Disney has already begun getting subscribers used to them being together. However, adding ESPN+ into Disney+ should hopefully be something that can happen easier, since they are built on the same tech. Disney has also already added ESPN content onto Disney+, but with the high costs of sports, it’s likely this will remain a premium add-on or as part of a bundle.

Internationally, Disney+ has had lots of success with the addition of the Star brand, which offers the majority of Hulu Originals and other general entertainment from Disney’s studios like 20th, FX and ABC. Bob Iger has said that it’s been a huge success and one of the reasons why they want to merge the platforms.

Unfortunately, with the Hulu contract, Disney has never been to share its plans for the future properly, but now with just over six months until 2024, it is starting to let subscribers know what’s going on. It makes the recent decisions for Disney+ to make more sense, such as moving to the next-day programming for Disney Channel and National Geographic content. Or why more Disney+ Originals have been added to Hulu and why “A Small Light” and the next Searchlight Pictures film, “Flamin’ Hot”, are being released on both Hulu and Disney+ simultaneously. Slowly blending together the two platforms.

Disney’s CFO Christine M. McCarthy also revealed during the quarterly results that they are going to be taking an impairment charge of approximately $1.5 to $1.8 billion, due to them planning to remove content from their streaming platforms. Disney+ in the United States generally probably doesn’t have a huge amount of content to remove, but Hulu has thousands of titles, many of which aren’t owned by them, so it wouldn’t be a surprise if we see lots of content removed from Hulu in the coming months, ahead of the merger.

There will no doubt be many more questions about how all of this is going to work in the coming months ahead. We know that Disney has been working on incorporating Hulu’s legacy system into the Disney+ tech since last year. Plus, the Disney Streaming Bundle accounts already use a single login, so that’s something that will hopefully make this smoother, but it’s bound to be a bit bumpy.

There are so many questions that we know nothing about such as:
• How much is the combined app going to cost?
• When will it happen?
• Will Hulu + Live TV continue?
• Will the Hulu brand continue?
• Will ESPN+ be a paid add-on?
• What will happen to other add-ons like HBO within Hulu?
• What will happen with the Star brand internationally?

Ultimately, the direction for a combined streaming platform for Disney makes sense. Offering multiple outlets is more expensive, and one platform will offer more content to more people. It’s already proven to work, but there are lots of hurdles, including Disney paying Comcast a huge cheque for billions of dollars. But now we know there is a plan to combine Disney’s streaming services under a single offering.

Eventually, a single app for all of Disney’s content is going to make it much easier for both subscribers and Disney, but it will also likely lead to less overall content being available, as Disney is looking to scale back its general entertainment side, but pairing it with Disney+, which has been lacking general entertainment, means the combination will result in us getting regular content constantly.

The Murder Of Dee Blanchard: From HBO To Telemundo Here's A List Of Brands That Documented Gypsy's Freedom From Her Abusive Mother

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Dee Dee had been making her daughter pass herself off as younger and pretend to be disabled and chronically ill, subjecting her to unnecessary surgery and medication, and controlling her through physical and psychological abuse.


Gypsy Rose, daughter of Dee Dee is currently serving a 10-year sentence for second-degree murder while Godejohn was convicted of first-degree murder and sentenced to life in prison without the possibility of parole.




In 2017, HBO produced the documentary film Mommy Dead and Dearest directed by Erin Lee Carr about the murder and its relationship to Munchausen syndrome by proxy. The film includes interrogation footage and exclusive interviews with Nick Godejohn and incarcerated Gypsy Rose.


Later that year, The CBS network talk show Dr. Phil, episode "Mother Knows Best: A Story of Munchausen by Proxy and Murder" featuring interviews with Gypsy Rose, her father and step-mother.




In 2018, the American Broadcasting Company (ABC) news and information series Good Morning America, segment "Mother of All Murders" aired an exclusive in-prison interview with Gypsy Rose. The ABC network other series 20/20, did an episode titled "The Story of Gypsy Blanchard".


The Sony Entertainment Television channel series CID aired an episode titled "Death on Social Media" on 13 August 2017, based on the case but the setting for the episode was changed to India; the characters Aria and Aanchal were based on Gypsy and Dee Dee Blanchard respectively.




The Investigation Discovery channel series James Patterson's Murder is Forever episode "Mother of All Murders", season 1, episode 2, premiered on January 29, 2018. Investigation Discovery also aired a two-hour-long special documentary titled Gypsy's Revenge.


Love You to Death aired on Lifetime in January 2019, dramatizing the case as "inspired by true events". Marcia Gay Harden starred as the fictionalized version of Dee Dee, Emily Skeggs starred as Gypsy Rose's counterpart, Brennan Keel Cook starred as Nick's counterpart, and Tate Donovan starred as Rod's counterpart.


In 2019, the streaming service Hulu announced the creation of the true crime series The Act. The 8-episode miniseries is based on Michelle Dean's 2016 BuzzFeed article. Dean is an executive producer and writer for the first season of the series.




Later that year, Netflix web television series The Politician, the characters Infinity Jackson, Ricardo, and Dusty Jackson are respectively based on Gypsy Rose Blanchard, Nicholas Godejohn and Dee Dee Blanchard. Telemundo's Decisions 13th episode "Amor de madre" was also used to tell the tale.


Gypsy Rose's case has been treated more as a child abuse as opposed to her fiancee case which is murder. Her actions garnered media attention as opposed to her mother whose family flushed her ashes down the toilet.


You can also find me through the other platforms by pressing this link in brackets (Lnk.Bio).


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